Powers of Horror: An Essay on Abjection (European Perspectives) (European Perspectives Series)

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Powers of Horror: An Essay on Abjection (European Perspectives) (European Perspectives Series)

Powers of Horror: An Essay on Abjection (European Perspectives) (European Perspectives Series)

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I think that Kristeva’s awareness that there is an element of desire within the human approaching the abject. One of the book's most compelling aspects is Kristeva's exploration of the abject as a force that blurs the boundaries between self and other.

The object of fear is, in other words, a substitute formation for the subject's abject relation to drive. Emergency vehicles, wrecked cars, injured motorists, lifeless corpses are all things you don’t like to see. The power of her work however is that she is able to connect the appeal of horror, of the abject, to the concept of the sublime in a way that finally investigates why we enjoy an attraction to things that would seem only to repulse any sane creature.Where the integrity of that slash (/) in the self /other mental construction is threatened by representations which collapse or disrupt the sign/referent template underpinning it. Kristeva also associates the abject with jouissance: "One does not know it, one does not desire it, one joys in it [on en jouit]. Although she does pull a lot on Freudian theory (which I don’t always agree with), she provides plenty of helpful insights into understanding abjection. The author shares some fascinating ideas and insight into abjection and how it relates to women in horror, what society and film makers are saying through their stories about women in horror, and how this reflects contemporary culture and society's attitudes to women through the ages.

The only real downside to this book is that reading it requires you to translate every damn thing from Freud to Makes-Sense. It's about the psychological role of disgust and rejection, the innate sense of horror that establishes within us what is acceptable and appropriate, and what's on the other side of that divide. Then she flushes that idea with a chapter of Lacanian jargon, pretty much the sole academic vocabulary that just reads in my mind as "Bullshit bullshit bullshit. Powers of Horror: An Essay on Abjection (1982) by Caitlin Duffy is licensed under a Creative Commons Attribution-ShareAlike 4. In Pouvoirs de l'horreur Kristeva explores abjection, a condition which is fundamental in the formation of identity, where the "abject" subject acts in a transgressive revolt of the Oedipal (sexual) identity and of the sexual specificity.After you expelled the spit, it became other; but a special kind of other, an other that has been abjected. Oh but here's the deal: the gross juicy parts that should reside on the inside this-side boundary of the Me/Other demarcation are realized as like totally icky Other (who is not grossed out by their own guts, snot, pus, etc? Critics who seek an alternative to sexist and, in general, imperialist practices in psychoanalytic writing will want to read [this book]. Take the usual sense of the gross, the repulsive, the degraded in the abject, haul along the Latin roots for "throw away" (or "make distant" or "define as other than yourself") and name yourself--the thrower--"the subject" and we're well on our way to getting at this book's premise. abjection and the long human recourse with it is not only a psychoanalytic approach to disgust, horror, rejection and violence but also a cultural genesis from which all literature and religion can be seen as exhale and spell.



  • Fruugo ID: 258392218-563234582
  • EAN: 764486781913
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